Ciarán Walsh




Wind Fall (Two Men Observing the Moon), 2020
Sculpture; PE rigid foam, paint, MDF, mirrored glass
(Image: Studio)

The work is based upon a tree branch from Casper David Friedrich’s German romantic painting Zwei Männer in Betrachtung des Mondes. Samuel Beckett noted that this image inspired him in composing Waiting for Godot. The work forms part of a developing series interrogating the visual culture associated with a retrogressively situated imagination of European ‘homeland’.




Press Image (Westerwald), 2019
Sculpture; PE rigid foam, filler, modelling plaster, styrofoam primer, wood
(Image: Studio)

The sculpture derives from news reports on the illegal killing of the first wolf to have returned to the western part of Germany in 100 years, and the contentious, politicised discourse around this return. The work forms part of a developing series interrogating the visual culture associated with a retrogressively situated imagination of European ‘homeland’.




YOUTUBE (Bäume, Himmel, Felsen, Aue / Trees, Sky, Rocks, Meadow), 2019
Video work; 108 HD video clips without sound with endless playback in random order, in parallel an asynchronous audio track track (track duration 19 minutes)
(Image: Studio)
Preview

Collected scenes from mid-1950s German Heimatfilm (a popular post-war format presenting the fantasy of a pre-modern and pre-Nazi German rural idyll), sourced on the popular video streaming site, and surveying only those taking place in nature while concentrating on brief moments of danger, anxiety, and destruction.




The Sickness, Book One, 2017
Novella; 120 pages, digital offset print, paperback, 250 copies
(Image: Studio/Shay Dashevsky)

The work takes the form of a dystopian science-fiction paperback. The narrative is set in a near-future world recently devastated by a mysterious pandemic and explores memory, hauntings, information control and authoritarianism. The Sickness, Book One was published by TFGC Publishing (Düsseldorf).




Exhibition Module for a Fictional Text, 2017
Sculpture; MDF construction, paint
(Image: LAB/Kunsthalle Bratislava )

Quoting 20th Century minimalist sculpture, the work‘s structure is based on the proportions of four bodies, and works with flows and breaks in spatial rhythm and corporeal interaction.




Vortices, 2016
Novella; 100 pages, risograph print, paperback, 100 copies (numbered)
(Image: Studio/Shay Dashevsky)

The work utilises speculative fiction to approach post-colonial critique of the ethnological collections of European museums, compiling a narrative around space exploration, religious fetish objects, a sleep experiment, and an out-of-body experience.




Fragments of Unknown Teachings, 2014
Two-room installation; diverse materials, including exhibition lighting on a programmed cycle
(Image: Galway Arts Centre)
Video Documentation

The sculptural assemblage based upon elements of classical museums was illuminated by an array of programmed lights constantly in flux, creating a dynamic environment of emerging and dissolving forms, silhouettes, reflections, and shadows.




The Ghost of an Image, 2014
Spoken word performance; incorporated an additional digital audio element and a series of 3 screen prints (performance duration ca. 45 minutes)
(Image: Drawing Room/IADT-DL)

A multi-media work using various supernatural tropes to meditate upon loss, remembrance, belief systems and subjectivities. The spoken word segment concluded with a collective séance experiment enabled by a 19.98 Hz sine wave.




A Time for Superlatives, 2014
Sculpture; painted foamcard, acrylic glass, wood, light box
(Image: Irish Museum of Modern Art)

A Time for Superlatives derives from two Classic Greek statue fragments from Berlin's Neues Museum, introducing through the sculptural reworking senses of hollowness, fragile temporality, and informational alientation.




He Cried in a Whisper at Some Image, at Some Vision, 2012
Series of 3 photographs; inkjet prints, each 60 x 40 cm (unique prints, framed)
(Image: Crawford City Gallery)

The photo series He Cried in a Whisper at Some Image, at Some Vision represents three large displays of religious sculptural artefacts from the 'Africa Rooms' of the former Ethnological Museum in Dahlem, Berlin.




no one can arrive in the past, before they depart from the future, 2011
Publication; digital colour offset on paper (A5 format), staple bound, 200 copies
(Image: Pallas Projects)

Artist Ciarán Walsh invites curator Padraic E. Moore and academic Friedrich von Bose into a correspondence around ethnographic museum collections, esoteric aspects of 20th visual art, popular science fiction, and time travel. Published by Pallas Projects (Dublin) and co-financed by Goethe-Institut Irland.



It's Just a Shadow Away, 2011
Video work; HD video with audio, duration 9 mins 30 secs
Preview

In It's Just a Shadow Away, two actors work to recreate scenes from Andrei Tarkofsky's 1972 film Solaris in the original Russian - a language of which the have no knowledge - in a work examining mourning, guilt, alienation and the pursuit of emotional verisimilitude.




Isolated Receptor, 2010
Sculpture; enamel-painted aluminium, plastic tubing, wood
(Image: Project Arts Centre)

Sculptural work drawing from the biological-energetic theories of Wilhelm Reich, and referencing late 20th Century minimalist sculpture.




Urwald, 2010
Sculpture; series of 7 digital offset prints glued together, steel bar
(Image: Kilkenny Arts Festival)

Print-sculptural work exploring the distribution and operation of 'folk/heimat' imagery in contemporary discourse.



Fabricated Model (Accumulation), 2010
Sculpture; painted wood, acrylic glass fixtures
(Image: Kilkenny Arts Festival)

Installation work informed by the biological-energetic theories of Wilhelm Reich specifically related to his ideas about clustering of bio-energetic particles.




Conduit, 2009
Sculpture; various materials
(Image: VISUAL National Centre for Contemporary Art)

Sculptural work drawing from the biological-energetic theories of Wilhelm Reich, and referencing the holistic art practice of Joseph Beuys.




Iris Stream, 2009
Video work; SD video without audio, loop (endless)
(Image: VISUAL National Centre for Contemporary Art)
Preview

Video work quoting 20th Century Colour Field painting and based in part upon the biological-energetic theories of Wilhelm Reich.




Station, 2008
Sculpture; various materials
(Image: Mother's Tankstation)

Sculptural work drawing from the biological-energetic theories of Wilhelm Reich, and dealing with the body, transformative agency, and the visually unapprehensible.




Poor Man's Bullet Proof Vest, 2008
Sculpture; synthetic felt, nylon velcro straps
(Image: Unit H Project Space)

A piece of wearable sculpture informed by a document sourced on internet platforms primarliy popular with members of right-wing militias and radical conspiracy theorists in the USA




Orgone Prototype, 2007
Sculpture; wood, copper pipes and fixtures, plastic tubing
(Image: Hotel Ballymun)

Sculptural work drawing from the biological-energetic theories of Wilhelm Reich, and dealing with a desire to control unpredictable natural phenomena.